Представляем аккорды композиции "Language" и глубже погружаем в смыслы творчества артиста Vega Suzanne . Эта интерпретация аккордов и текста песни помогает лучше понять смысл заложенный в композицию. Аппликатура аккордов песни «Language» — это не просто изображения аккордов, а история, которую Vega Suzanne передаёт через ритм и интонации.
Vega Suzanne - "Language"
#----------------------------------PLEASE NOTE---------------------------------# #This file is the authors own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Received: from post-office.nevada.edu (post-office.nevada.edu [131.216.1.11]) by redrock.nevada.edu (8.6.4/8.6.4) with ESMTP id NAA22794 for ; Mon, 10 Jan 1994 13:50:08 -0800 Received: from ucscb.UCSC.EDU (ucscb.UCSC.EDU [128.114.2.8]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id NAA15317 for ; Mon, 10 Jan 1994 13:50:02 -0800 Received: by ucscb.UCSC.EDU (5.65/1.34) id AA10526; Mon, 10 Jan 94 13:49:01 -0800 Date: Mon, 10 Jan 94 13:49:01 -0800 From: indigo@ucscb.UCSC.EDU (Adam Schneider) Message-Id: To: jamesb@nevada.edu Subject: /v/Suzanne.Vega/Language.tab LANGUAGE (Suzanne Vega) ----------------------- [I learned this from the book _The_Authentic_Guitar_Style_of_Suzanne_Vega_, published by Cherry Lane Music. No guitar-playing Suzanne Vega fan should be without it. Buy it; its only $12.95, and it has very good transcriptions of eleven songs from Suzannes first two albums. If your local music store doesnt have it, do a special order or call Hal Leonard (Cherry Lanes distributor) directly; thats how I got it.] Every chord in this song has exactly four strings in it. Play each chord as an arpeggio of six sixteenth notes (each chord is half of a 12/16 measure.) Heres an example: A(9)/E G/D Cmaj7 Bm7 |------------------------|------------------------| |------0-----------0-----|------0-----------0-----| |----6---6-------4---4---|----9---9-------7---7---| |--7-------7---5-------5-|--9-------9---7-------7-| |7-----------5-----------|------------------------| |------------------------|8-----------7-----------| A(9)/E: x7760x G/D: x5540x Cmaj7: 8x990x Bm7: 7x770x Am9: 5x550x G: 3x000x G/F: 1x000x Esus4: 0x220x Esus4/B: x2220x F#m7(4): 2x220x G6(9): 3x220x Asus9: x0220x C#m9: x4x440 B(4)/F#: 2xx440 Emaj7/G#: 4xx440 Asus9(#4): x0x440 D6(9): x5x400 A(9)/C#: x4x200 A(9)/E G/D Cmaj7 Bm7 Am9 (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- G/F G [intro] A(9)/E G/D Cmaj7 Bm7 Am9 (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- G/F G If language were liquid, it would be rushing in A(9)/E G/D Cmaj7 Bm7 Am9 (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- G/F G Instead here we are, in a silence more eloquent than any word could ever be A(9)/E G/D Cmaj7 Bm7 Am9 (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- G/F G These words are too solid, they dont move fast enough A(9)/E G/D Cmaj7 Bm7 Am9 (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- G/F G/F To catch the blur in the brain that flies by and is gone Esus4 Esus4/B Esus4 Esus4/B F#m7(4) F#m7(4) G6(9) G6(9) And is gone, and is gone, gone, F#m7(4) F#m7(4) G6(9) G6(9) Asus9 Asus9 Asus9 Asus9 Gone, gone, and is gone Id like to meet you in a timeless, placeless place Somewhere out of context and beyond all consequences Lets go back to the building on Little West 12th; it is not far away and the river is there (Words are too solid, they dont move fast enough) And the sun and the spaces are all laying low, and well sit in the slience that comes rushing in (To catch the blur in the brain that flies by...) And is gone, and is gone, gone, Gone, gone, and is gone C#m9 C#m9 B(4)/F# B(4)/F# Emaj7/G# Emaj7/G# Asus9(#4) Asus9(#4) [instrumental] C#m9 C#m9 B(4)/F# B(4)/F# Emaj7/G# Emaj7/G# Asus9(#4) Asus9(#4) [instrumental] C#m9 C#m9 D6(9) D6(9) A(9)/C# A(9)/C# D6(9) D6(9) [instrumental] A(9)/E G/D Cmaj7 Bm7 [instrumental] I wont use words again, they dont mean that I meant, they dont say what I said Its just the crust of the meaning with realms underneath, never touched, never stirred, never even moved through If language were liquid, it would be rushing in A(9)/E G/D Cmaj7 Bm7 Am9 (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- G/F G/F Instead here we are in a silence more eloquent than any word could ever be Esus4 Esus4/B Esus4 Esus4/B F#m7(4) F#m7(4) G6(9) G6(9) And is gone, gone, F#m7(4) F#m7(4) G6(9) G6(9) Asus9 Asus9 Asus9 Asus9 Gone, gone, and is gone [repeat and fade]
В ряде случаев представлена аппликатура аккордов песни «Language», что позволяет быстрее освоить игру на гитаре этой композиции. На этой странице собрано все в одном месте: текст песни, аккорды, аппликатура, что упрощает для личного использования, поделитесь им с друзьями или используете в творчестве. Погружайтесь в мир Vega Suzanne через его(их) музыку.